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SECTION 1 UKRAINIAN LANGUAGE
Sytko O.M., Tserkovniak-Horodetska O.H., Demikhova S.V.
MILITARY DISCOURSE IN CONTEMPORARY UKRAINIAN LANGUAGE: LEXICAL AND SEMANTIC ASPECTS
Skopnenko O.I.
APPELLATIVES AND ONYMS IN THE NAMING PRACTICES OF NUMISMATICS AND BONISTICS: THE PROBLEM OF CONVERGENCE OF ONOMASTIC TERMS
Sotnyk R.R.
DICTIONARIES OF PUBLISHING AND PRINTING TERMS IN UKRAINIAN TERMINOLOGY
Stepanov V.V., Riabokon K.R.
REPRESENTATION OF THE IMAGE COMPONENT OF THE UKRAINE CONCEPT IN WORKS BY MYKHAILO HRUSHEVSKYI
Stepaniuk H.M., Fadieieva A.P.
STRUCTURAL FEATURES OF COMPARATIVE CONSTRUCTIONS IN OSYP NAZARUK'S HISTORICAL STORY "ROKSOLIAN"
Taranenko A.V., Sulima L.V., Chala A.H.
THE STATE LANGUAGE AS A TOOL OF PROFESSIONAL COMMUNICATION IN THE PUBLIC AND BUSINESS SPHERES
Fedak S.A.
DIALECT ELEMENTS IN POPULAR SCIENCE WORKS BY IVAN PULIU ON PHYSICS AND ASTRONOMY
Tsupikova O.A.
VISUAL MEANS OF INFLUENCE IN MEDICAL ADVERTISING DISCOURSE
Shapovalenko N.M.
FORMATION OF STUDENTS’ LANGUAGE COMPETENCE IN THE CONTEXT OF CONTEMPORARY EDUCATIONAL STANDARDS
Shulska N.M., Pryimachok O.I., Hromyk L.I., Zinchuk R.S.
INFORMATION CULTURE OF PUBLIC BROADCASTING: IDENTIFICATION AND SYSTEMATIZATION OF ANORMATIVES
Shuliak S.A.
SYMBOLISM OF SPATIAL OPPOSITIONS (BASED ON TEXTS FROM UKRAINIAN SPELLS)
SECTION 2 GERMANIC LANGUAGES
Onyshchuk I.Yu.
BRIDGING THEORY AND PRACTICE: INTEGRATING CEFR-CV MEDIATION DESCRIPTORS INTO ESP COURSES
Podvoiska O.V., Havrysh M.M., Didenko N.V.
LINGUISTIC AND CULTURAL STUDIES AS A COMPONENT OF FOREIGN LANGUAGE TEACHING
Prodan O.P.
LEXICAL PECULIARITIES OF W. TREVIS’S NOVEL “THE QUEEN’S GAMBIT”
Rybakova K.A., Bakhov I.S., Pocheniuk Ya.V.
THE CONCEPT OF "FREEDOM" IN THE POLITICAL AND ARTISTIC DISCOURSE OF THE USA: CULTURAL AND LINGUISTIC FEATURES
Skrynnik Yu.S.
DISCOURSE PORTRAIT OF ATTRACTOR IN INSTAGRAM SPACE
Todorova N.Yu., Bryndak O.B.
THE FIGURATIVE POTENTIAL OF ARMAMENT TERMS IN ENGLISH PHRASEOLOGY
Udovenko I.V., Podvorna L.A., Muraviova O.M.
THE USE OF ARTIFICIAL INTELLIGENCE IN FOREIGN LANGUAGE TEACHING: ADVANTAGES, RISKS, AND PROSPECTS
Filatova O.O.
VERBALIZATION OF CONCEPT ‘SECURITY’ IN THE CONTEMPORARY DIPLOMATIC DISCOURSE
SECTION 3 CLASSICAL LANGUAGES. SOME INDO-EUROPEAN LANGUAGES
Petryshyn M.I., Zahaiska H.M.
THE CONCEPT OF WAR IN THE ROMAN PARTHIAN LEGACY
Synytsia V.H., Myronyk O.V.
FUNCTIONS OF ADJECTIVAL COMPONENTS IN THE NAMES OF INFECTIOUS DISEASES
Teleky M.M.
CLASSIFICATION WAYS OF ONCOLOGY TERMS’CREATION
SECTION 4 TRANSLATION STUDIES
Slyvka L.Z.
METHODOLOGICAL ISSUES OF TRANSLATION STUDIES IN THE CONTEXT OF GLOBALIZATION AND DIGITAL COMMUNICATION
Tupikova T.V., Kozak T.B.
TRANSLATION OF GERMAN CIVIL AND CRIMINAL LAW TERMINOLOGY
Filonenko N.H.
RENDERING THE PRAGMATIC POTENTIAL OF POLITICAL DISCOURSE IN FRENCH-TO-UKRAINIAN MEDIA TRANSLATION
Shylinska I.F.
LINGUOCULTURAL AND FUNCTIONAL PECULIARITIES OF DIGITAL TEXTS IN THE TRANSLATION ASPECT
Shtohryn M.V.
STRUCTURAL AND SEMANTIC ANALYSIS OF API STANDARD TERMINOLOGY
Yaroshko-Kushnir N.S.
SIMULTANEOUS INTERPRETATION OF THE CONFERENCE: PREPARATION AND CHALLENGES
SECTION 5 LITERATURE STUDIES
Haidanka T.M.
THE UKRAINIAN–POLISH DIMENSION OF NAMING IN THE POETICS OF OLGA TOKARCZUK’S HISTORICAL NOVEL THE BOOKS OF JACOB
Ilkov D.I.
THE IMAGE OF KUBAN COSSACKDOM IN THE FIRST VOLUME OF JÓZEF ŁOBODOWSKI’S UKRAINIAN TRILOGY REEDS
Pashkova A.V.
SENSORY POETICS AS A PRINCIPLE OF NARRATIVE ORGANIZATION IN THE NOVELS OF JAUME CABRÉ
SECTION 6 UKRAINIAN LITERATURE
Vehesh A.I.
TITLES OF NATALIA DURUNDA'S NOVELS – KEY ELEMENTS OF CONTENT
Volosianko I.V.
THE WITCH ARCHETYPE IN UKRAINIAN CULTURAL DISCOURSE: FROM DEMONIZATION TO A SYMBOL OF FEMALE OTHERNESS
Halchuk O.V.
LYRICAL AUTOBIOGRAPHY IN LINA KOSTENKO’S WORK
Kaplenko O.M., Marchenko T.V.
GENRE AND NARRATIVE POLYPHONY OF WAR EXPERIENCE RECORDING IN MODERN UKRAINIAN PROSE
Matushek O.Yu.
EUROPEAN CODES OF UKRAINIAN LITERATURE OF THE SECOND HALF OF THE 19TH CENTURY
Mokriakov I.S.
THE ROLE OF THE BIOGRAPHICAL ESSAY GENRE IN THE STRUCTURE OF THE NOVEL “AMADOKA” BY SOFIA ANDRUKHOVYCH
Puhach S.B.
THE BIBLICAL CODE IN NATALENA KOROLEVA’S NOVEL «QUID EST VERITAS?»
Starostenko T.M.
THE CARTOGRAPHY OF BEING AND DEATH IN THE COLLECTION OF POETRY “AN OPEN FRACTURE OF THE VOICE” BY KATERYNA KALYTKO
Shchelkunova O.S.
THE LABYRINTH AS SPIRITUAL PILGRIMAGE IN UKRAINIAN BAROQUE VISUAL POETRY
SECTION 7 LITERARY THEORY
Tsapro G.Yu.
EMOTIONAL NARRATIVES AND CARE DISCOURSE IN CONTEMPORARY WOMEN-CENTRED POPULAR FICTION: THE CASE OF SOPHIE TAL MEN